Mr. Deng Dingsan, member of the Art Evaluation Committee of the Cultural Market Development Center of the Ministry of Culture, and Executive Editor-in-Chief of the Collector magazine, Mr. Deng Dingsan, explained the investment in the furniture market.

Mr. Deng Dingsan, member of the Art Evaluation Committee of the Cultural Market Development Center of the Ministry of Culture, and Executive Editor-in-Chief of the Collector magazine, Mr. Deng Dingsan, explained the investment in the furniture market.

Deng Dingsan pointed out in the theme lecture of "Investment in Furniture Market" that the collection of furniture must match the specific cultural circle.

Deng Dingsan pointed out that the influence of Chinese furniture on Europe in early years originated in Guangzhou, formed the Rococo era in Europe, and led the European fashion industry for a hundred years. A major change in the furniture market in recent years has been the beginning of a large overseas return, such as a Chinese classical furniture auction in Sotheby’s in previous years, in which a large number of exquisitely crafted classical furniture were bought by the Chinese. After another year, the market value of these pieces of furniture has nearly doubled.

He said that in the early years, due to the strict hierarchical system, the classical furniture made of these precious woods could only be enjoyed by the nobility. After the capitalist thoughts entered China, the feudal aristocrats began to decline, and the national capitalists gradually emerged. These are rich. The national capitalists began to purchase art and furniture from the aristocratic family and completed a conversion of the art market. From the perspective of historical development, only the art that can save a declining family, and the greatest wealth that people can leave to future generations may be art.

Deng Dingsan pointed out that the main function of furniture is furnishings, enjoyment and use. Furniture has not yet fully entered the market for art works, so its performance is far less than other categories. The gradual integration and formation of investment ideas in the use of furniture stems from the unintentional sensibility. Mr. Deng gave a lively example to the audience: a business owner wanted to be a reception room in the company. After consulting many designers, he was still not satisfied. He accidentally saw an auction of classical furniture at an auction. It reminded him of his nostalgia for his childhood scenes, so he bought almost all the classical furniture in the whole room, and the reception room decorated with classical furniture is unique. Not only foreign guests are greatly admired, but also China. People see it also aroused a strong sense of cultural identity, which makes this boss proud. And a few years later, another chance, he saw a similar classical furniture at another auction, but the price has turned nearly 10 times, which made him very surprised, and since then began the classical furniture Collection and investment.

Deng Dingsan warned collectors that when choosing furniture, they must match the corresponding cultural circle. Furniture is a carrier that reflects the local characteristics. For example, there is a clear gap between Su-style furniture and Cantonese-style furniture. When communicating with designers and craftsmen from different regions, it is necessary to stand in the corresponding cultural circle, only to approach and understand. Different cultural characteristics can be purchased to truly satisfy the furniture.

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